Subbing with Big Orchestras


I am really fortunate. The two orchestras I play with most are the New York Philharmonic and the Chicago Symphony.

I suspect that there are those that wonder how one earns such opportunities.

Here is the magic formula:

Years and years of study, listening, practicing, adapting and being a good musical citizen.

I know how these players play because I have been studying their style for 25 years. These are the greatest brass players in the world and I have made it a life-long quest to sound like them. Countless hours of practice and study have gone into my success. I am fortunate. Lucky? No. Fortunate. My work has been recognized and has paid off.

There are lots of young hot-shot players around that never get the chances I get because they lack one of the above ingredients. Two years (or four) at a conservatory can help one become a highly proficient player but there is significantly more to it than that.

Being a good musical citizen may be the single most elusive ingredient. It is also the least addressed topic in school. It is easy to learn to play a great Bolero or Tuba mirum. Having a personality that gels well with others is not nearly as easy. Sections in any of the big orchestras are a delicate ecosystem and in order to function comfortably the newbie must be ultra-sensitive to the social dynamic.

Smile, remember you are a guest and play your butt off.

Teachers


What should they do? What should they not do? Why are some great and others not? What makes a teacher truly special? Why do some students thrive with a teacher and others not?

These questions are what make life interesting.

Although I play many concerts a year with great orchestras, I am now primarily a teacher. I think it is very important for me to keep playing as long as anyone will have me. I get a great charge out of playing with some of the finest musicians in the world. I am truly fortunate to be able to do both. Playing with the CSO and NYP gives me rare, valuable insight into the world for which I am preparing my students.

When thinking about this entry, I paused to reflect on each teacher I have ever had…from kindergarten to present time. I have been fortunate to have had amazing teachers. All of my teachers believed in me and let me know it. I can remember each of my teachers’ names and am surprised when others cannot recall the names of all theirs. It could be evidence that I retain all sorts of bizarre information (often to the neglect of the pertinent), it could reflect how good the teachers were or, most probably, it represents the esteem in which I held my teachers. My dad was the band director at my school, so I had more involvement with my teachers…I also was expected to behave or news would travel quickly!

Here are the traits I appreciate in teachers:

•Interest, knowledge and demonstrated ability in their subject matter coupled with the ability to transfer their knowledge.
•Being highly demanding in a gentle, empathic way.
•Sense of humor
•Honesty and sincere care for the student
•Reliability
•Encouraging demeanor
•Versatile approach and flexibility of application

A great teacher is one that can inspire great things from their students using whatever means available and necessary. Not all students are studying the subject that they have the most aptitude for. One difficult task of a teacher is to communicate their assessment of the student’s ability to the student. There have been many examples of a teacher saying. “you will never make it” only to be proven wrong. As a teacher I will try to never speak in such definitives. Being honest can be a very difficult task. Since students and their families are paying such exorbitant prices for university/conservatory study, I believe that they should all be made aware of my opinion of their chances of success. If they don’t agree with me and want to switch to another teacher, I am all for it.

I always encourage my students to take lessons from other teachers. When I hear of other teachers getting upset with this practice, I wonder who the teacher is more concerned for…the student or their own ego.

The best situations are when there is a symbiotic relationship between teacher and student. The teacher motivates the student who in turn shows improvement which then inspires the teacher to motivate the student…etc.

NOTICE:
To Students, don’t waste the teacher’s time but not practicing.

NOTICE:
To Teachers, don’t waste the student’s time and money by not being involved.

We are all a unique mosaic of what we have chosen to accept and reject and not everyone will succeed. Success, however, has many “looks.” There are lots of ways to be successful. In my opinion, if happiness is achieved then success has been attained.

I am sad that teachers are not compensated better, but it is what it is. No musician or teacher enters the profession for monetary reasons. It is more a matter of being led to the profession. If you want to make a million, go into something else. If you want to influence and enrich lives, go for it.

The Ideal Student

Here is the student I want to see walk into my studio at IU/NU/RU:

•One that always has something prepared.
•One that listens to the best recordings everyday
•One that reads about music and musicians every day
•One that doesn’t mind being a music nerd
•One that has several questions each lesson to demonstrate independent thought and analysis of what is being learned
•One that has many suggestions as to repertoire. Ideas gained through listening and reading about music
•One that thinks about more than just the notes
•One that implements suggestions immediately
•One that will challenge me with a differing point of view and have substantiating evidence to back it up
•One that can describe and explain differences in sound timbre

•One that is honest, sincere and has a smile as we dig in and work for progress

Where I Shop

As a brass playing musician for the past 35 years, I have developed a pattern of where I get my gear, music and have my repair work done. I am not going to give out contact information because I don’t want these guys to get so busy that they cannot take care of me...selfish? Maybe. But...I found them and so can you.

Repair:

I can endorse three guys.
I am enthusiastic about the Brass Lab in NYC. Chuck McAlexander knows his stuff, perhaps more so than anyone I have encountered. The best slide I have ever had was aligned by Chuck. He also makes and sells the Buzzarella...similar to the old-style, metal B.E.R.P. which works better than the new plastic model.
I have also sent many slides (and many of my students have as well) to John Upchurch...the Slide Doctor.
Mark Sorlie in the Chicago area has also done terrific repair, both custom and slide work for me.

Music:

I have so much music that I rarely buy too much anymore. When I add the occasional new piece, it is usually through Hickeys, or the private published of the work. There have been times when I had to go around Hickey’s and straight to the publisher when Hickey’s took so long.
The price of music has sky-rocketed due to piracy (aka photocopying). It is a Catch-22. Years ago people started photocopying and the prices went up because publishers were selling fewer copies. When the prices rose, more people photocopied. Here is my plea...BUY ORIGINALS! If you buy a few pieces, etude books, scores a year, you will accumulate a nice collection over time. The only way to keep the price of music down is to buy originals.

Gear:

Oils and lubes I get from the terrific music store across the street from the IU School of Music called ProWinds. I alternate between Slide-O-Mix Rapid comfort and Trombotine, (quick aside...please learn the correct pronunciation of Trombotine...there is only one N in the word. I have heard many, many folks call it Trombone-teen). Sometimes I spray some non-aerosol Pledge on after the Trombotine. For tuning slides I use the Gary Greenhoe recommended stuff called Dow Corning High Vacuum Grease.

I have bought all sorts of stuff (cases mutes, horns) from Steve Ferguson at Hornguys in LA, Irvin Karan at SlideBone in NYC, Dillon Music in New Jersey. Sometimes I still get the occasional supply from Woodwind and Brasswind, although it is rare anymore.

Mouthpieces are only purchased from Greg Black...and some used GBs off of the OTJ ads.

By far the place that I spend the most money is Amazon. I spring for the Prime shipping (“free” two-day) every year. Nearly every recording I ever need is at my fingertips. Frequently I buy new and used and greatly discounted prices. Out os issue recordings can be found there too.

Lip care:


ChopSaver. There will be a sunblock version coming this spring.

Choosing a College

At the end of high school, choosing an institution to further ones education is perhaps the most important decision to be made. I see dozens of students and their families go through this process every year and am frequently puzzled by some of the decisions made and the rationale used for those decisions.

Each family believes they have a unique situation, when in fact, from my perspective, most are quite similar.

There are several factors I see that greatly influence the choice of a school:

1. Cost

To properly address this topic I offer this most pertinent piece of advice up-front:

Start planning for the education of your children on the day of their birth!

By advanced planning, the financial burden of a college education will be much easier. By doing this, parents need not limit their choice of an institution to the least expensive. Of all the things to be frugal with, I believe that the least appropriate is ones education. Starting to save for college during high school is too late.

Scholarship money is available to the very best students. I spent several years on the Admission and Recruitment Committee at Indiana University and I will relate that several factors influence our decision to admit:

Audition score- This is the rating given by the faculty that witnessed the audition. This is, of course, the most important factor in ones admittance and eventual scholarship consideration. It is difficult to justify awarding a high scholarship to a student who was not able to demonstrate high achievement during the audition. Most times we only know a prospective through the audition. It must be taken seriously.

SAT/ACT score- High “board” scores can help qualify a student for additional grants and/or scholarships.

GPA/Class rank- Helps to round out the picture of the applicant.

The most successful students, financially speaking, have the highest audition scores, highest board scores and by no random coincidence have a high GPA and class rank. I have seen terrific players get no scholarship money due to poor grades. We can admit students on academic probation if they have a low GPA, but they are not eligible for any financial assistance from the School of Music.


2. Teacher

This may be the most important decision, as your teacher will prepare you for your career in music.
Ask yourself these questions:
“Has the teacher done what I eventually want to do?”
“Has the teacher been successful in placing students in the field I wish to pursue?”
“Will I be proud to tell others with whom I study?”
“Does the teacher exhibit the qualities I would like to exhibit?”
“Have I had lessons with this teacher and did we have a good rapport?”
“Will this teacher be able to connect me to the greater music world?”


3. Reputation of institution

Although not quite as important as the choice of teacher, this is also very important. You (hopefully) want to choose a school that is a recognizable name in the music world. Will the institution offer me the ensemble opportunities necessary to gain experience for the “outside world?”

This is my story:

I grew up in southern Oregon. I had quite a bit of success in the State Solo Contests and All-State and All-Northwest selections, etc. I did not have any trombone lessons until I went to college. I decided that I needed to study with an orchestral trombonist so I sought the instruction of Warren Baker, the principal trombone in the Oregon Symphony. I had been around this man the previous summers during brass workshops he presented at Linfield College, where he taught. I chose to go to Linfield, which was and is an outstanding liberal arts college. It is a private school and as such was quite a bit more expensive than the state universities. The most important point here is that I chose to go to the school that had best teacher, not the least expensive price tag. When it came time to apply for graduate study I never considered the costs of the institution. I looked at people who were winning orchestral auditions and where they studied. In those years Northwestern was placing more people in orchestras than other schools. I chose to go to Northwestern. Was it the cheapest? Not by a long shot. Was it the best choice for me? Yes.
I had student loans, which I repaid for years and years. Student loans have among the lowest interest rates available. It was a great feeling when I wrote the last check to repay my loans. I have never regretted taking out loans for my education. After all, what is more important to invest in than ones future? My parents believed the same.

My motto: One should never skimp on the most important aspects of life: shoes, mattress and education.


Warning! Do not spend your student loan money frivolously. I know of many students who have squandered their student loan money. They get loans for more than the actual cost of school and buy all sorts of extra stuff. This is a grave mistake and one that has lasting consequences. Understand from the beginning that you WILL have to repay the money, and the interest.

I understand that choosing a school is a difficult process but one that millions do each year. Just as there is no one “right” house or one “right” car, there is not necessarily one “right” college or university. Accepting this can relieve the pressure of making the choice.


Do your research and happy practicing.